Huang Wei's Calligraphy

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Huang Wei's Calligraphy

Personal Profile

Huang Wei, originally named Huang Wei, male, born in February 1966, styled Master of Zhi Lan Studio, from Jiangxi Fenyi.

Currently:
Member of the China Hard-Pen Calligraphy Association
Senior Registered Instructor of the China Hard-Pen Calligraphy Association
Standing Director of the Xinyu Calligraphy Association
Vice Chairman of the Xinyu Staff and Workers Painting and Calligraphy Association
Honorary President of Qianlu Academy of Painting and Calligraphy
Former Chairman of the Fenyi County Calligraphy Association
Leader of the Huang Wei Calligraphy Culture Master Studio

Having been exposed to calligraphy since 1985, he has persistently studied for over thirty years and enjoys composing couplets and poetry for personal amusement. He has practiced all styles of calligraphy: large regular script from Liu Gongquan’s “Xuanmi Pagoda,” Ouyang Xun’s “Jiucheng Palace,” Yan Zhenqing’s “Qinli Stele” and “Magu Immortal Altar Record”; small regular script from Wang Xizhi’s “Yueyi Lun” and “Huangting Jing,” Chu Suiliang’s “Yanta Shengjiao Xu,” Fu Shan’s “Diamond Sutra,” and Wen Zhengming’s “Li Sao Jing”; running script primarily studying Wang, Mi, Zhao, and Dong; clerical script from “Yingying Stele,” “Zhangqian Stele,” and Han bamboo slips; cursive script from Huaisu’s small cursive “Thousand Character Classic” and “Self-Narrative Scroll,” Sun Guoting’s “Shupu,” and Huang Tingjian’s “Zhu Shangzuo Tie.”

In the 1990s, he won more than ten awards, including excellence and third prizes, in national competitions such as the “Love My China Cup,” “Shimen Cup,” “Tianma Cup,” “Jinlong Cup,” “Ethnicity Cup,” and provincial competitions like the “70th Anniversary of the Founding of the CPC Cup” and “Lei Feng Song Cup” for both hard-pen and brush calligraphy. His works and resume were included in the “Dictionary of Contemporary Chinese Hard-Pen Calligraphers” in 1992, and his brush calligraphy was collected by the Jilin Library in 1992. However, for nearly two decades, occupied with work, he has refrained from participating in competitions, devoting himself daily to practice for personal cultivation.

In recent years, with a lighter workload, he has resumed intensive study and copying of regular, running, Wei, clerical, and cursive scripts, spending several hours daily writing on discarded paper without interruption. Due to his comprehensive mastery of all styles, he now freely creates without being bound to any particular tradition. His works have been collected by the Jilin Library, Fu Baoshi Memorial Hall, Yangtze River Civilization Museum, Xi’an Beilin Museum, Huangdi Mausoleum Museum, and Zhaoling Museum.

In 2009, he published “Two Styles of Huang Wei’s Running Script.”
In 2016, he was selected for the Jiangxi Province Copying Exhibition.
In 2017, he was selected for the 9th Guanyin Mountain National Calligraphy Exhibition.
In 2018, he was rated as an outstanding student in the inaugural Advanced Research Class at Beijing Normal University.
In 2018, he was selected for the Huazhenge National Diamond Sutra Calligraphy Collection Exhibition; his small regular script version of the “Diamond Sutra” was collected by Shanghai Huazhenge.

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